It turned out to be a terrific opportunity for me and for the company. “Turning that company around to be one of the leading profit producers was a terrific result. I guess the achievement feels even greater when the market is saying it cannot be done.” She did the same thing at Conde Nast Australia in 1999 when she started as managing editor during a time that the chairman of Conde Nast International, Jonathan Newstead, described as “dire”, when circulation figures were down and advertisers were losing confidence in the company. “Morale was shot and rumours about what would happen to Vogue Australia and its sister magazines were rife,” Newstead says. “Because Australia is so far away, I didn't comprehend or address the problems as quickly as I should have done. “Robyn understood the Vogue brand and how to position and market a luxury product. Most of all, she is a true leader, with tons of energy, self confidence and the ability to motivate and inspire others. In a few short years, she completely turned around the business.” As a result of this success, Holt was tapped on the shoulder and asked to head Conde Nast Russia. She and her husband moved to Moscow, leaving Hannah in boarding school. “When I was first offered Russia, my husband said without hesitation: 'You must take it and we will make it work,' ” Holt recalls. “I have to say at this point he is a Chekhov authority, so he was very happy. I really could not have made it work if it were not for my husband and Rowena Danziger who was the then headmistress of Ascham [boarding school], who stepped into the parental role of Rosetta Stone HindiHannah.” In Moscow, Holt had daily language lessons in Russian and ran international magazines such as Vogue, Architectural Digest, GQ and launched Glamour, which she proudly says sold 600,000 copies in the first two issues, making it the largest-selling fashion title in Europe. “I was fortunate to have all the senior staff speak English and, after three years, I could hold a conversation in Russian, albeit, not a very sophisticated one,” she says, adding that not learning a second language until then is her biggest regret. “In this role was where I really learnt to listen, not just to words but also with body language. “Jim taught me a lot about communication, especially that it is a lot more than words. I went to theatre and in the early days I didn't understand it but it gave me the opportunity to watch people around me.” After three years, Holt left to live in London where she launched Monocle magazine. She then returned to Australia to be near her father, who was unwell, and Hannah, who was finishing her last year at university. A few months later, she started as chief executive for Dinnigan. Holt recently took up her first job in the public sector, a one-year posting at the NSW State Library leading a project to mark the Mitchell Library's 100th anniversary, which the library's chief executive, Regina Sutton, hopes will rebrand the institution. Sutton says she recruited Holt for the very reason that she was “a creative force with wide experience”. Celebrations of the centenary will begin on March 9 next year with a 100-day exhibition of 100 items that are significant to Australia and Australians. Some items will be part of a travelling exhibition to regional areas of NSW. “I feel as though this is my greatest role because it is one [in which] I come to work each day and learn something new every day,” she says. Holt wishes that, when she was 30, she had known that confidence in one's instincts can lead to great things. “The one thing that has kept me going through all the difficult times and, yes, there have been many, is my sense of humour, not taking myself too seriously and having a great family,” she says. “And, finally, an unending curiosity.”



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